MI3 : Media Industries, Infrastructures and Institutions

Output

2025

Peer-reviewed publications

Arnold, S., McCabe, J., Andrews, K., Badenoch, A., Baker, J., Ball, V., Hendriks, E., Jackson, V., Murphy, K., Sahu, I., Skoog, K., Terkanian, K., & Warner, H. (2025). Women’s broadcasting histories and the archive: National, transnational and transmedial entanglements. Critical Studies in Television, Advance online publication. https://doi.org/10.1177/17496020251330853

Braber, H.M van den and Bertels, K. (2025). Doing Good, Performing Well? Media Evaluations of the Patronage and Performance Practices of Saxophonist Elise Hall (1853–1924). International Journal for History, Culture and Modernity, 13(1), 59–92. https://doi.org/10.1163/22130624-20251303

Braber, H.M. van den and Maaike van Leendert (2025), Met open armen? Over de voorwaarden die Nederlandse auteurs stellen aan het vragen om en aanvaarden van zorg. In: TNTL. Tijdschrift voor Nederlandse Taal- en Letterkunde, 141(1), 2-27. https://doi.org/10.5117/TNTL2025.1.002.LEEN

Braber, H.M van den (2025), ‘The anxiety of asking: entrepreneurial and patronage practices in the cultural sector’. In: D’Hoore, L., Muller, U. et al (Eds.), Cultural Philanthropy and Entrepreneurship. London/New York: Taylor and Francis, 13-27. https://doi.org/10.4324/9781003488712-3

Keidl, P. D. (2025). Cinephilia and Digital Authorship: Audiovisual Scrapbooks, Reaction Videos, and Fake AI-Trailers. In L. E. Stein, & S. Close (Eds.), The Routledge Handbook of Fan Video and Digital Authorship (pp. 413-424). Routledge.

Keidl, P. D. (2025). Film and Media Merchandising in the Eye of the Fan Historian: Practices, Objects, Media. In A. Habib, L. Pelletier, & J.-P. Sirois-Trahan (Eds.), Collecting Cinema, Rewriting Film History: Between the Visible and the Invisible (pp. 289-308). (Framing Film). Amsterdam University Press.

Keidl, P. D. (2025). Things Worth Filming, Things Worth Building: Disney+, Making-ofs, and the Walt Disney Archives. In P. D. Keidl, & J. Zündel (Eds.), Platforms and the Moving Image (pp. 43-61). Meson Press. https://research-portal.uu.nl/en/publications/platforms-and-the-moving-image/

Purnama, A. (2025). Epistemic Altruism: YouTube, Youth, and Screen Media anno 2025. In Media Res. https://mediacommons.org/imr/content/epistemic-altruism-youtubeyouth-and-screen-media-anno-2025

Zündel, J., & Keidl, P. D. (Eds.) (2025). Platforms and the Moving Image. (Configurations of Film). Meson Press. https://research-portal.uu.nl/en/publications/platforms-and-the-moving-image/

Professional publications

Braber, H.M. van den (2025), ‘We verlangen veel van de maker. Maar wat geven we terug’? In: Boekman 144 (37), ‘Cultuur als probleemoplosser’, 15-20.

Braber, H.M. van den, Hueting, R.J.G., Korven, I. van (2025) Een vinger of een hele hand? Hoe makers zoeken naar balans in hun relatie met particuliere gevers. Research report ‘Leve het Geven’-programme. Platform ACCT/Voordekunst

Public lectures and presentations

Braber, H.M van den (2025, September 29), ‘De kunst van het vragen. Vraagstrategieën in de cultuursector’. Summit Nederlandse Universiteitsfondsen. Utrecht, Universiteitsmuseum

Braber, H.M. van den (2025, June 2) Wie betaalt, bepaalt? Over de uitwisseling tussen vragers en gevers in de Nederlandse cultuursector. LINC Lage Landen, Leiderschap in Cultuur. Antwerpen, Antwerpen School of Management

Braber, H.M. van den (2025, April 3), ‘Mecenaatstudies: vraagcultuur en geefcultuur’. Postacademisch onderwijs, course ‘Maatschappelijke Filantropie – Datatrends en Geven’. Vrije Universiteit, Amsterdam

Braber, H.M. van den (2025, March 3) ‘Popmuziek en mecenaat’. Leiderschap in Cultuur Noord. Meppel, Theater Ogterop

Keidl, P.D. (2025, January 23), ‘Off-Making-of: Filmarbeit anders zeigen’. Blockbuster Histories: Filmarchive im Making-of, FU Berlin

Keidl, P.D. (2025, June 19), ‘The Afterlife of the “Closet”: The Life and Death of Queer Celebrities in German Media’. NECS 2025 Conference, Portugal.

Köll, N. (2025, October 30–31), ‘Activism and the Political Economy of Bottom-up Film Production and Distribution’. Cinema/Activism/Education Conference, University of Groningen.

Köll, N. (2025, November 4–8), ‘Collaborative Filmmaking Practices as Decolonial Venues’. Kyoto Conference on Arts, Media & Culture, Kyoto, Japan.

Purnama, A. (2025, March 20), ‘Leveraging the Art of Underexposure: Film Lighting and Intensified Visual Darkness in Contemporary Indonesian Cinema’. Department of Communication Studies, University of Antwerp, Belgium.

Purnama, A. (2025, May 2–3), ‘The Primacy of Råså: Intensified Visual Darkness and Atmospheres in Contemporary Indonesian Cinematography’. Media Atmospheres International Conference, Jönköping University, Sweden.

Purnama, A. (2025, May 25–28), ‘The Colour of the Global South in Post-1997 Thai Comedy Films: Atmospheres and Hyper-saturation’. Eye International Film Conference, Amsterdam, the Netherlands.

Purnama, A. (2025, June 4–7), ‘Leveraging the Art of Not Being Formalized: How Uganda’s Wakaliwood Decolonizes Film Production Methods’. SCSMI Conference, University of Alberta, Edmonton, Canada.

Purnama, A. (2025, October 1), ‘Cinematic Storytelling and Advertising in the Age of Gen-AI’. Guest lecture, Swinburne University Vietnam, Ho Chi Minh City.

Purnama, A. (2025, October 30–31), ‘How Southeast Asian Aesthetics Decolonise Transnational Cinema Studies’. Keynote, International Indonesian Film Studies Conference (KOFI KAFEIN), Universitas Jenderal Soedirman.